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2010-04-17 18:38:39 来源:不详 浏览:40次 一个人的日子,经常看日出,polo ralph lauren homme,看日落,看月亮,在阳台上静静欣赏昼夜的天空.也会拿起吉他,慢慢的练习着,房间里的电脑一直在播放着朴树的专辑,有时会跟着旋律唱起来,次数不多.平淡的生活并不空虚.2 N* p) a. S8 O2 n3 M* J5 u7 u
在这样的日子里我可以看见光阴的缓慢流动,就像时间之比河流,franklin et marshall,远看上去不动,foot chaussures,上前去才可以见他的行走,这样的日子,正好可以且听风吟,现在听着凡人版的思念是一种病,虽无华丽的唱腔,但歌声里羞涩的透出的那些淡淡的优伤,像给青春写的一首小诗,又随歌声的去而渐渐消失了字迹.
9 ]- t1 K# m8 s" `+ [' M 这几天不时晚上有暴雨,躲进房间,把电脑声音开大,突然又记起了一直是喜欢雷鸣闪电,polo ralph lauren pas cher,喜欢暴风雨前的黑暗,喜欢突破,佩服那令大地颤抖的力量,那时候我就像一个信仰神的教徒,顶礼膜拜.
1 h2 l$ s* i& y0 d% C 这些日子,我慢慢舒展开一直以来压缩的记忆,可以轻轻的抚平里面的很多褶皱,把凌乱的书桌收拾起来,又有很多空间去书写了,把她好好的整理一遍后,christian louboutin,轻松的放入了书架,那些沉痛的过去,那个令人心痛的女孩,伴着再见的旋律,又有力气开始新的旅途.1 p/ K4 ^( O7 G5 o! V. A1 [
关于朋友一词,没有太多解释,喜欢一个人的生活,不去寄托太多的情感友好的对待每一个人,当然.恶人除外.就像风??不得不行走,所以留下一些声响,跟那些留意了空气流动的人道一声我来过了.一直认为自己不是个什么重要的人物,但是真的希望结识的每一个人都过得很好.( u; ]+ f3 W/ L! b7 ]% }- F0 T' T. m
小时候喜欢看彩虹,在太阳底下一口一口的喷水,于是看见一条又一条的彩虹,记得那时候用一根铁丝做放大镜的乐趣,又记得那时候折的变型纸飞机,飞的很高很高,我又看见了依稀的学校阳台,一群小学生在比着谁的飞机飞的最高最稳,然后折了一个又一个,终被落日的余晖遣散,结伴回家,只留下了满地的各色的纸飞机和着安静空气里弥漫的昏黄的太阳没入地平线后留恋的光线,静静地迎接夜暮的到来....5 x: F1 \6 z6 q$ ?& o" v
在大学度过了人生旅途的间歇
4 T2 R, C9 R% D% @! h 启程进入下一个时代了
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$ ` u- ]% C* r$ [" ABEIJING, July 29 – A Beijing bar is hosting a three-day blues festival starting on Friday, featuring a dozen bands and soloists from around the world.
7 o0 M( q4 c8 ~: f/ x ?# aCafe CD Blues, on the Third Ring Road near the Agricultural Exhibition Center, and its previous location a few blocks further south, has been home to the city's alternative music scene since the 1980s.# q8 s* P1 O1 u6 Z* g2 M3 Q
It has been owned for nearly two years by veteran R&B singer and bass player "Big John" Zhang Ling.
. r: ^5 x8 S) J0 d! H- G" tPlaying on Friday from 7 pm are Chinese band Little Inn, the US' Peter Muchinson Band, Bobo Stump from Japan, Matt Cooper (featuring Swiss Werner Fischer on guitar) and Defy, a Chinese rockabilly group. The night finishes at 1 am.9 o/ o6 V; x: v2 ^
On Saturday, Joseph J. Johanna from New Zealand will perform folk blues from 3:30 pm, followed by Chinese band Out of Control, then Fernando Fidanza, the Peter Muchinson band again, Zhang Di and Lucy in an East meets West performance, and then the Big John Blues Band led by the bar's owner. The evening will finish with a blues jamming session from about 11:15 pm.- o" T8 c' X. o
Fernando Fidanza will kick things off from 2:30 pm on Sunday with his Italian Blues. He'll be followed with a harp clinic and harmonica competition until 5 pm. Starting at 4:30 pm outside will be another set by Joseph J. Johanna, then Hong Kong's Chit Chat band, Hoochie Coochie Gentlemen, Bobo Stump and finally, The Chinese Hell Cats from 10:30 pm.
/ z" v0 e/ F( {) fThe cost of admission is 150 yuan ($23), including a free drink, for each day, or 400 yuan, including a free drink every day, for all three days.
2 W/ x$ F: N U+ {) r, u2 o"Beijing will have seen nothing like it," says one of the event's promoters, Beijing-based US businessman Craig Quick.
D& W, t& |6 ]: y"This is a brilliant line-up of extremely talented musicians who know and love the blues inside out. It's going to be a tremendous occasion."; G% Z J& K8 H: ~: U( w1 `
In the early 1980s, as bassist for Chinese rock legend Cui Jian, Zhang Lin developed a deep understanding of the development of modern music in China when Western music was considered "capitalist". He used to listen to The Beatles tracks smuggled in from the US.
, F5 d4 o! I$ N) R* ?Zhang studied bass in Australia and returned to China to collaborate with some of the top blues and jazz artists in the country, creating in 1995 China's first jazz fusion band, Tien Square. In 1996, he joined his old band mate, Cui, and International Monetary Fund vice-president John Anderson to form the first blues band in China, The Rhythm Dogs. He released his first solo album, Nu Ren De Ge (A Woman's Song), in 2008, and also runs a musician booking agency.
- r5 D6 g) e4 Z. pMany of the world's jazz greats have visited or performed at the CD Blues Cafe and Bar, including Wynton Marsalis, Kenny Garrett and Herbie Hancock's band.3 W* _ h- L% R5 p- z
Blues evolved from the unaccompanied vocal music and oral traditions imported from West Africa and rural tunes into a wide variety of styles and subgenres, with regional variations across the US. |
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